From Darkness Dreams Are Deserted

“Dedicated to the One I Love,” The “5" Royales
We’ve all heard the version popularized by The Mamas & The Papas. Here’s the original. The great Lowman Pauling was an early, and very underrated, blues guitarist.

“Mar Nha Confidente,” Cesaria Evora
It’s hard to look out my window right now and see traces of snow and a blustery wind. Here’s a song that needs to be played on a warm summer evening. Cesaria is a master of the fado form.

“Be Easy,” Ghostface Killah
Well, there’s a rough segue for you. It’s a track from Ghostface’s Fishscale album. He’s got another one out now called The Big Doe Rehab that I need to check out to satisfy my occasional hardcore rap jones. I just love his family-friendly message where he basically says, “Hey, look, don’t bring your lady to the club and act surprised when she goes home with me.” It’s a lifestyle I think we can all relate to, right?

“Bartali,” Paolo Conte
If Tom Waits were an elegant Italian man he’d be Paolo Conte.

“I Don’t Believe You (She Acts Like We Never Met),” Bob Dylan
Dylan and The Band (called The Hawks at the time) are just on fire on this song! On this whole set, in fact. This is a song from Volume 4 of Dylan’s Bootleg Series, the live concert at London’s Royal Albert Hall in 1966. At the time, Dylan was rubbing a lot of audiences the wrong way by having the audacity to plug in his instrument and play songs that weren’t overtly political. His folk fans had this weird and totally misplaced sense of ownership over his art. How dare he grow and evolve, they seemed to be saying. A man in the audience actually said, “I’m never going to listen to you again!” Dylan responded, “I don’t believe you! You’re a liar!” He turned to the band and said “Play it fucking loud!” They proceeded to launch into the most scorching version of “Like a Rolling Stone” I’ve ever heard.

Listen Up and I'll Tell a Story

No jinx this week, as I had feared in last week’s Shuffle. Unless you consider a 45% appearance rate by Beck a jinx.



“Round the Bend,” Beck
Beck successfully channels Nick Drake’s melancholia on this song from 2002’s Sea Change. In other news, Odelay is being reissued on January 29.

“Can’t Stop Thinking About Her,” The Red Button
Poptastic deliciousness by this duo from Los Angeles. Seth Swirsky is an accomplished pop songwriter, making music for people like Al Green, Rufus Wainwright, Jane Weidlin and a host of other artists. Mike Ruekberg is Alex Chilton reincarnated. Well, that is, if Alex Chilton were dead. Anyway, local music aficionados will remember Mike from his days fronting pop trio Rex Daisy. And who can forget his alter-ego Monty De Carlo in 2 Tickets 2 Paradise? Sweet.

“Story of an Artist,” Daniel Johnston
This song breaks my heart every time. As luck would have it, and as Christina Schmitt told us last week, Daniel Johnston is playing a gig at First Avenue in February. He epitomizes the term Outsider artist. The Devil and Daniel Johnston is an absolute must-see.

“The Slummer the Slum,” The “5” Royales
Making their second straight Shuffle appearance, this song is like a blueprint for the blues-rock that would follow in its wake. Plus, whenever I hear the word “roy-yal,” I think of this scene in Pulp Fiction. “Royale with cheese” does sound a lot more appetizing, doesn’t it?

“Iko Iko,” The Dixie Cups
The history of a song is always appealing to me. And this tune’s New Orleans heritage is particularly interesting.

I Have To Be Crazy to Ever Think Someone Could Love a Nobody Like Me

Everybody wants to be somebody's somethin'.




“All My Life,” Steve Earle
A song from 2000’s Transcendental Blues. Steve Earle is one of my heroes. There aren’t many artists who have the testicular fortitude to write a song in the voice of John Walker Lindh, the so-called “American Taliban” (“John Walker’s Blues”) or bust a lusty move on the Secretary of State (“Condi, Condi”). Robert Chalmers profiled Earle last summer in the British newspaper, The Independent, with the provocative headline “Is Steve Earle America’s Greatest Living Songwriter?” I don’t know if he’s the greatest. He’s certainly the bravest. Here he is as Waylon on the greatest TV drama in the history of TV dramas, The Wire.

“Trying to Explain,” Matt Elliott
First operating under the name The Third Eye Foundation, Matt Elliott is a musician who has relied heavily on sampled sounds and drum and bass rhythms to create his atmospheric sound. This is an instrumental interlude from his 2005 album Drinking Songs, put out on the Ici Dailleurs imprint.

“We Don’t Need,” Daby Toure
This lovely tune is from Stereo Spirit, which made my year-end list of stand-out albums from foreign born artists. Toure (no relation to Ali Farka and Vieux Farka) is Mauritanian. The album showcases his love for Western style song-writing while still maintaining that West African lilt that I love so well.

“Priests Knees,” Destroyer
Just what is a “west-coast maximalist” anyway? The usually media-shy Dan Bejar did this surprisingly revealing interview for Exclaim! during the run-up to the release of Destroyer’s Rubies. I love his quirky pop sensibility and I admit, whenever a New Pornographers album comes out, I listen to his songs first. Two parts Bowie, one part Al Stewart? I don’t know if Bejar is into doing covers but “Year of the Cat,” Destroyer-style, absolutely needs to happen. Look for a new Destroyer album this spring.

“Just As I Am,” The “5” Royales
One of the early R&B and doo-wop groups, this quintet were huge hitmakers. The thing was, though, they made hits for other people. James Brown, Aretha Franklin, the Shirelles, and the Mamas & the Papas all recorded tremendously popular versions of the band’s songs. Lowman Pauling, the main songwriter and lead guitarist, also inspired a generation of blues-rock guitarists with his fiery guitar work.